Jumat, 20 Juni 2014

[G266.Ebook] Download Crafting Short Screenplays That Connect, by Claudia H Johnson

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Crafting Short Screenplays That Connect, by Claudia H Johnson

Crafting Short Screenplays That Connect, Fourth Edition stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This groundbreaking book will show you how to advance and deepen your screenwriting skills, increasing your ability to write richer, more resonant short screenplays that will connect with your audience.

With her candid, conversational style, award-winning writer and director Claudia Hunter Johnson teaches you the all-important basics of dramatic technique and guides you through the challenging craft of writing short screenplays with carefully focused exercises of increasing length and complexity. In completing these exercises and applying Claudia’s techniques and insights to your own work, you will learn how to think more deeply about the screenwriter’s purpose, craft effective patterns of human change, and strengthen your storytelling skills.

This new edition has been expanded and updated to include:

  • A companion website (www.focalpress.com/cw/johnson) with ten award-winning short films featured in the book, including two outstanding, all-new short films―Intercambios and the Student-Emmy-Award-winning Underground

  • A new chapter on scene and structure that will help you find the right structure for your short screenplay

  • A new chapter on crafting effective dialogue and subtext that will teach you to make the most of every word and add further depth to your script

  • Sales Rank: #103601 in Books
  • Published on: 2014-08-24
  • Released on: 2014-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .94" w x 6.00" l, 1.27 pounds
  • Binding: Paperback
  • 444 pages

Review

"Claudia Johnson leads the reader through the process of writing the short film, along the way illuminating something much bigger―how to write great drama in any form."

- Linda Seger, Author, Making a Good Script Great

"Crafting Short Screenplays That Connect, Fourth Edition�is an incredible, insightful guide to writing an effective, engaging short screenplay. Claudia Johnson takes the reader through the journey of crafting screenplays using connection as the path."

- Dr. Valliere Richard Auzenne, Florida State University College of Motion Picture Arts

About the Author

Claudia Hunter Johnson is a writer/director whose feature documentary The Other Side of Silence: The Untold Story of Ruby McCollum won Best Florida Documentary Film at the 2012 Ft. Lauderdale International Film Festival and the Gold Jury Prize at the 2013 Social Justice Film Festival. She recently completed (with Matt Stevens) the feature screenplay Ruby, based on her documentary. A nationally recognized advocate for free speech, she won the inaugural P.E.N./Newman’s Own First Amendment Award, and her critically acclaimed memoir Stifled Laughter: One Woman’s Story About Fighting Censorship was nominated for the Pulitzer Prize. She is a member of the founding faculty at the Florida State University College of Motion Picture Arts where she continues to teach screenwriting courses.

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5 of 5 people found the following review helpful.
Crafting Short Screenplays That Connect: A Closer Look
By C J Singh
Crafting Short Screenplays That Connect: A Closer Look
.
Reviewed by C J Singh (Berkeley, CA)
.

Claudia H Johnson's insight of the connect-disconnect pattern in storytelling came first to my attention in the early editions of Janet Burroway's classic textbooks Writing Fiction: A Guide to Narrative Craft and the more recent Imaginative Writing: The Elements of Craft (See my detailed reviews of the current editions of both books on amazon.)

In "Writing Fiction," 1994 edition, Burroway wrote: "I'm indebted to dramatist Claudia Johnson's crucial insight...whereas the hierarchical or vertical nature of narrative, the power struggle, has long been acknowledged, there also appears in all narrative a horizontal pattern of connection and disconnection between characters, which is the main source of its emotional effect."

As organizer of our writing group CreativeWritersBerkeley (now a meetup), I have long been using the earlier editions of Claudia Johnson's screenwriting as well as Burroway's fiction-craft books as the major texts.

Introducing CRAFTING SHORT SCREENPLAYS THAT CONNECT, fourth edition, Johnson describes Burroway's immediate appreciation of her insight when she went to see her: "This is big - the other half of Aristotle" (p xxiv). Both are professors at Florida State University. Johnson's book was first published in 2000. It received considerable acclaim.

On the fourth edition's jacket, Linda Seger, author of several books on screenwriting, notes: "Claudia Johnson leads the reader through the process of writing the short film, along the way illuminating something much bigger - how to write great drama in any form." Burroway has been right all along in her fiction-writing textbooks.

The new edition expands expository chapters, adds several short films, presents ten screenplays by her students, and provides access to their films at the companion website. Several of these plays won multiple awards including the Student-Emmy Awards.

Here are some of the highlights of the four parts of the nearly 400-page book.

PART I, Preparing to Write the Short Screenplay, four brief chapters.

On page 11, appears an excellent exercise "Connecting to Self" that asks the reader to write down top five answers to each of the ten questions:

"What I Love;
What I Hate;
What I Fear;
What I Believe;
What I Value;
What I Want;
What I Know About;
People Who Made a Difference in My Life;
Discoveries That Made a Difference in My Life;
Decisions That Made Difference in My Life"

The above exercise can open the path to writing from the heart. It's similar to the Step 1 exercise "Write Something That May Change Your Life" in John Truby's highly regarded The Anatomy of Story: 22 Steps to Becoming a Master Storyteller . (See my detailed review on amazon.) Truby exhorts, "Do some self-exploration, something most writers, incredibly enough, never do."

PART II, Aspects of the Craft, five chapters.

The fifth chapter, Story and Screenplay, claims "Everything You Need to Know You Can Learn" from one scene in Charlie Chaplin's "City Lights." As a fan of Charlie Chaplin geAfter reading Johnson's masterly four-page analysis of this scene and as a fan of Chaplin's genius and after reading Johnson's 4-page detailed analysis of the scene, I agree with her: "You can't learn everything you need to know, but you can get pretty close if you pay close attention" to it (p 53).

6. The chapter, Character, cites excerpts from the works of Charles Dickens's "A Christmas Carol," William Goldman's "Butch Cassidy and the Sundance Kid," George Lucas's "American Graffiti," Ray Bradbury's "Zen in the Art of Writing," Woody Allen's "Hannah and Her Sisters" as well as several of her students' works.

7. The chapter, Structure, questions Syd Field's paradigm of a rigid three-act structure and plot points in favor of William Goldman's advice of flexibility: "The proper structure should be for the particular script you are writing." Highly instructional in this chapter is the description of one of Johnson's students, Brian Gutierrez Arramayo's struggle. He tried to adhere to the Field paradigm in the first fourteen drafts of his screenplay "Intercambio." In the fifteenth draft, observes Johnson, "Getting back to the heart of the story - - and getting in touch with his own heart - - gave Brian the confidence he needed to replace his longer, expositional, Paradigm-perfect Act One attempts with a brief opening scene that deftly sets up Cristina's circumstances, want, and intention" (p 81).

8. The chapter, Dialogue, includes effective and entertaining examples from screenplays such as Susannah Grant's "Erin Brokovich," Robert Benton's "Kramer vs Kramer," and Woody Allen & Marshall Brickaman's "Annie Hall."

PART III, Five (Not So) Easy Screenplays are exercises.

Each chapter includes guidelines to do the exercise and presents examples from classic as well as students' screenplays.

9. The chapter, The Discovery, exercise: "Write a three-page screenplay about a character making a discovery that makes a difference to the character" (p 113).

10. The Decision, exercise: "Write a three-to-five page screenplay about a character making a decision that makes a difference to the character" (p 123).

11. The Boxing Match, exercise: "Write a five-page screenplay about a character (A) who wants something that a second character (B) does not want to give" (p 133)

12. The Improbable Connection, exercise: "Write a seven-page screenplay about two characters who initially feel no connection whatsoever -- a connection between them is highly improbable -- but by the end of the screenplay they have come to feel a authentic connection" (p 145).

13. The Long Short Screenplay, exercise: "Write the best ten-page (or shorter) screenplay you can -- using the techniques you have learned to tell a good story that makes us connect -- a pattern of human change that makes a difference to your main character. And to us" (p 153).

PART IV, Eleven Screenplays That Make It Look Easy.

14, "Chillin' Out" - a webisode
15, "Intercambios" - a Latina defrauded at bank.
16, "Underground" - an African-American man, trying to protect his daughter, lynched in 1850.
17, "Tough Crowd" - a screenplay.
18, "Kosher" - a lovely comedy of a 6-year old couple "getting married."
19, "My Josephine" - a screenplay.
20, "A Work in Progress" - a screenplay.
21, "Lena's Spaghetti" - a screenplay.
22, "Cool Breeze and Buzz" - a screenplay.
23, "The Making of `Killer Kite' " - a mockumentary.
24, "Slow Dancin' Down the Aisles of Quickcheck" - a screenplay.

ALl of the above ten short films can be viewed in less than three hours total.
-------------
ACCESSIBLE BY COPYING and PASTING THE FOLLOWING IN YOUR WEB BROWSER:

routledgetextbooks.com/textbooks/9780415735476/
-------------------

My top three choices are:
1."Intercambios";
2."Underground";
3. "Kosher."

You are invited to list your top three choices in the Comments section below.
I look forward to using the fourth edition as one of the two major texts at the CreativeWritersBerkeley meetup.
Five shining stars for the screenplays and films.

1 of 2 people found the following review helpful.
Great resource for teachers and students
By ANDREW
If you're looking for a book to help teach screenwriting, this could be your best choice. The writing style is clear and lively, full of illuminating anecdotes and references to familiar films. The linear structure of the book and the way it goes from simple to more complex exercises makes it suitable for teaching (or teaching yourself) on a short 'toe-dipping' course or for a much longer period. I teach Creative Writing in a sixth form college and my group have enjoyed the exercises and analysing the example screenplays. After looking through several texts of this type I went for this one, perhaps because the author is a teacher herself and so knows how to break things down and build them up - something missing from many other introductions to screenwriting. Highly recommended.

0 of 0 people found the following review helpful.
Five Stars
By Cindy Cervantes
Great condition

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Rabu, 18 Juni 2014

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Dark Star Safari : Overland From Cairo to Cape Town {Unabridged} {Mp3} {Audio} {Mp3 Audio}, by Paul Theroux

Forty years ago, Paul Theroux first went to Africa as a teacher in the Malawi bush. Now, nearing 60, he returns to travel by train, canoe, bus, and cattle truck from one end of Africa to the other. From Cairo to Cape Town, what he finds is recorded in the style that has stamped Theroux as a master of the travelogue. His curiosity and intelligent observations help create an unforgettable portrait of the varied land that is Africa today.

  • Sales Rank: #14622737 in Books
  • Published on: 2009
  • Binding: Audio CD

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Selasa, 17 Juni 2014

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OpenGL ES 3.0 Cookbook, by Parminder Singh

Over 90 ready-to-serve, real-time rendering recipes on Android and iOS platforms using OpenGL ES 3.0 and GL shading language 3.0 to solve day-to-day modern 3D graphics challenges

About This Book
  • Explore exciting new features of OpenGL ES 3.0 on textures, geometry, shaders, buffer objects, frame buffers and a lot more using GLSL 3.0
  • Master intermediate and advance cutting edge rendering techniques, including procedural shading, screen space technique and shadows with scene graphs
  • A practical approach to build the font engine with multilingual support and learn exciting imaging processing and post process techniques
Who This Book Is For

If you are new to OpenGL ES or have some experience in 3D graphics, then this book will be extremely helpful in raising your expertise level from a novice to professional. The book implements more than 90 recipes to solve everyday challenges, helping you transition from a beginner to a professional.

What You Will Learn
  • Learn the essentials and exciting new features of OpenGL ES 3.0
  • Discover the physics behind fundaments of light and material concepts with easy-to-follow examples
  • Scratch the fragments with procedural shaders and learn how they work
  • Master the basics of texturing, use compressed textures, and learn numerous mapping techniques
  • Manage complex scenes with scene graphs and learn post-processing and image-processing techniques
  • Build your font engine with multilingual support
  • Master the working of recognized anti-aliasing techniques and implement FXAA and adaptive anti-aliasing
In Detail

"Write once, use anywhere" is truly the power behind OpenGL ES and has made it an embedded industry standard. The library provides cutting-edge, easy-to-use features to build a wide range of applications in the gaming, simulation, augmented-reality, image-processing, and geospatial domains.

The book starts by providing you with all the necessary OpenGL ES 3.0 setup guidelines on iOS and Android platforms. You'll go on to master the fundamentals of modern 3D graphics, such as drawing APIs, transformations, buffer objects, the model-view-project analogy, and much more. The book goes on to deal with advanced topics and offers a wide range of recipes on the light shading, real-time rendering techniques with static and procedure textures to create stunning visualizations and runtime effects.

  • Sales Rank: #2500634 in Books
  • Published on: 2015-05-28
  • Released on: 2015-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.16" w x 7.50" l, 1.93 pounds
  • Binding: Paperback
  • 493 pages

About the Author

Parminder Singh

Parminder Singh is a senior 3D graphics engineer at Continental Automotive, Singapore. He also works as a part-time freelancer. In 2006, Parminder obtained his CSE degree from Punjab Technical University. He is a strong believer of design simplicity. In his opinion, this is a key factor that plays an important role in building scalable and manageable products. With this philosophy and as a passionate 3D architect, he has worked in the fields of network simulations, geomodeling, navigation, automotive, and infotainment systems. His research interests include GPU-based real-time rendering, geospatial terrain rendering, screen-spaced techniques, real-time dynamic shadows, scientific visualization, scene graphs, and anti-aliasing techniques. He is an OpenGL ES trainer and a member of the Khronos Group. Parminder loves to take up challenges related to real-time rendering. His current research and work includes futuristic implementation for next-generation graphics in the automobile domain in order to create stunning data, user interface, and visualization effects (merging 2D and 3D concepts). His hobbies include cooking, traveling, sharing knowledge, and exploring the possibilities of applied physics and mathematics. Feel free to reach Parminder at https://www.linkedin.com/in/parmindersingh18.

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0 of 0 people found the following review helpful.
Too sparse for novices, too light for experts
By Richard Klassen
Depends on what you're looking for but the chapters are too short to be totally useful. If you're completely new to OpenGL ES, try a book with more narrative. If you have intermediate to advanced experience then this probably won't help

1 of 1 people found the following review helpful.
A very good resource for OpenGL ES 3 and one of the better cookbooks
By Amazon Customer
A filled cookbook with lots of examples and detailed descriptions.

It starts of tackling mobile devices iOS and Android. From the canonical "Hello, World" to using Java Native Interface (JNI) on Android. Get right into shaders. Chapter 3 introduces what is new in ES3 and that is welcome for those coming in with experience. Chapter 4 is very short and it would have been nice to have a couple more recipes on working with meshes. Chapter 6 comes back to shaders and subsequent move into materials and post processing effects. A nice inclusion of font rendering. The latter chapters serve as good introductions but don't expect deep dives into particle systems and shadows. It does a good job at presenting the recipes and letting the reader explore in more detail along with pointers of where to go next which sometimes is another recipe in the book. Overall it is a wealth of information and a good reference. I was pleased with the cookbook and overall I liked it.

I personally really appreciate the inclusion of using Blender 3D and though it is not a Blender book, tutorial, or introduction, I found it useful for a beginning level Blender user like myself. The author does show good pictures walking even the new to Blender user through those sections. This may not be true in all cases and many of the example images were definitely taken using Blender, but it works, and I am glad to see it show up.

2 of 2 people found the following review helpful.
It does not compile and it looks like it was hastily written due to grammatical and syntactical ...
By scanner_darkly
The source code for this book is really poorly written and not available outside of PacktPub. It does not compile and it looks like it was hastily written due to grammatical and syntactical errors. The examples in the book are descent but not very original. The code formatting in the pdf book is pretty squished. It feels like this entire book was put together in a rush and lacks any really reviews. I really wish this book would've have just used Java or Swift instead of writing everything in C++. The overhead of Java or Swift wouldn't make a difference since this book is all about examples anyway and not performance.

If you are looking to learn OpenGL I recommend the OpenGL 4 Cookbook by David Wolff instead.

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Sabtu, 14 Juni 2014

[I190.Ebook] PDF Ebook Corporate Social Responsibility Reporting in Developing Countries: The Case of Bangladesh (Corporate Social Responsibility Series), by Ata

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Corporate Social Responsibility Reporting in Developing Countries: The Case of Bangladesh (Corporate Social Responsibility Series), by Ata

Historically, the study of corporate social responsibility (CSR) reporting has largely been within the context of Western economies. However, in the wake of highly publicized incidents such as Bhopal and the struggle of the Ogoni people in Nigeria, many large corporations now claim to be taking steps to improve their environmental and social performance within developing countries.

Using the lens of stakeholder theory, this book examines whether the current practice of CSR reporting in developing countries is motivated by a desire to discharge accountability to all relevant stakeholders or whether it is being driven by the imperative of advancing corporate economic interests. While concepts like CSR reporting have become more fashionable, they vary widely in different national contexts; this book therefore clarifies the types and roles of CSR reporting and the underlying corporate motivations.

The author considers the current CSR reporting practices in a number of developing countries, with particular attention given to illuminating a case study of Bangladesh.

  • Sales Rank: #4292263 in eBooks
  • Published on: 2012-11-28
  • Released on: 2012-11-28
  • Format: Kindle eBook

Review
'With its focus on developing countries in general, and Bangladesh in particular, this authoritative text brings a fresh perspective to bear on the CSR reporting literature, whilst also suggesting a rich agenda for future research. ' David L. Owen, Nottingham University, UK '...an original light on the drivers, consequences and limitations of corporate social responsibility and its reporting in Bangladesh. This is subtle analysis based on rigorous empirical research of local practice and perspectives.' David Collison, University of Dundee, UK 'This book is a welcome addition to the comity of literature on the subject for the developing countries... Furthermore, this book will be of great help to the teachers in the institutions of higher learning. Students who wish to pursue research and consulting on the subject will also gain immensely...' Vision - The Journal of Business Perspective 'Altogether, this book presents a clearly written, well organised, research-oriented approach to the CSR reporting practices in developing countries.' Social and Environmental Accountability Journal '...an interesting account of the CSR reporting practices by Bangladesh entities in 2000 and management's attitudes towards CSR in 2001. Since the CSR reporting practices in Bangladesh are fairly unknown in the literature, this book fills that gap.' The British Accounting Review

About the Author
Dr Ataur Rahman Belal is a Lecturer in Accounting at the Aston Business School, Aston University, UK.

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Jumat, 13 Juni 2014

[I941.Ebook] Ebook Download Carae's Touch (Long Line of Love Book 4), by Marilyn Lee

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Revisit the Grayhawk Clan

With the death of the woman he considered his sheenea or perfect mate Brandon Grayhawk lost all hope of ever living happily ever after. Or so he thought. Then he meets Carae Harrington who immediately captures his attention and leaves him questioning his belief that he could only have one true partner. Nevertheless, Brandon knows he’s carrying too much emotional baggage to offer Carae anything but heartache.

Driven by an emotional and physical attraction she’s powerless to dismiss, Carae decides to risk her heart and her sanity to help him move on. After several false starts and disappointments, she believes she and Brandon have a future together. Instead, she’s shocked to hear from his ex in a way that drives a wedge between them and threatens to derail their fragile relationship when she needs him most.
61,900 words

  • Sales Rank: #494525 in eBooks
  • Published on: 2015-10-21
  • Released on: 2015-10-21
  • Format: Kindle eBook

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Minggu, 08 Juni 2014

[N863.Ebook] Download PDF Evening Land, by Par Lagerkvist

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Evening Land, by Par Lagerkvist

Poetry. Translated from the Swedish by Anthony Barnett. P„r Lagerkvist (1891-1974) was one of Sweden's greatest, most prolific, twentieth-century novelists and short story writers. EVENING LAND is the first complete translation of Lagerkvist's ninth and final volume of poetry, the deceptively simple Aftonland (1953). An intensely private man who refused to court publicity, the author was awarded the Nobel Prize in 1951. Barnett's translation (his translation of Robert Giroux's BLANK from the French is also available at SPD) sets straight an earlier, unfinished and otherwise compromised version by W. H. Auden and Leif Sj"berg. "All things exist, only I exist no more,/ everything remains, the fragrance of rain in the grass/ as I remember it and the sough of the wind through the trees,/ the flight of clouds and the human heart's disquiet.// Only my heart's disquiet no longer exists"-(from "The Dead")

  • Sales Rank: #4144694 in Books
  • Published on: 2001-11-20
  • Original language: Swedish
  • Number of items: 1
  • Dimensions: 8.00" h x 5.50" w x .25" l, .0 pounds
  • Binding: Paperback
  • 54 pages

Language Notes
Text: English (translation)
Original Language: Swedish

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Senin, 02 Juni 2014

[M637.Ebook] Download PDF Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know, by Meg Meeker

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Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know, by Meg Meeker

In today’s increasingly complicated world, it’s often difficult for parents to connect with their daughters–and especially so for fathers. In this unique and invaluable guide, Dr. Meg Meeker, a pediatrician with more than twenty years’ experience counseling girls, reveals that a young woman’s relationship with her father is far more important than we’ve ever realized. To become a strong, confident woman, a daughter needs her father’s attention, protection, courage, and wisdom. Dr. Meeker shares the ten secrets every father needs to know in order to strengthen or rebuild bonds with his daughter and shape her life–and his own–for the better. Inside you’ll discover:

• the essential virtues of strong fathers–and how to develop them
• the cues daughters take from their dads on everything from self-respect to drugs, alcohol, and sex
• the truth about ground rules (girls do want them, despite their protests)
• the importance of becoming a hero to your daughter
• the biggest mistake a dad can make–and the ramifications
• the fact that girls actually depend on their dads’ guidance into adulthood
• steps fathers can follow to help daughters avoid disastrous decisions and mistakes
• ways in which a father’s faith–or lack thereof–will influence his daughter
• essential communication strategies for different stages of a girl’s life
• true stories of “prodigal daughters”–and how their fathers helped to bring them back

Dads, you are far more powerful than you think–and if you follow Dr. Meeker’s advice, the rewards will be unmatched.

“Reassuring and challenging . . . a helpful road map for concerned fathers [that] tackles difficult issues.”
–National Review

“A touching, illuminating book that will prove valuable to all of us who are fortunate enough to have been blessed with daughters.”
–Michael Medved, nationally syndicated radio talk-show host, author of Right Turns

“Dr. Meeker’s conclusions are timely, relevant, and often deeply moving. No one interested in what girls experience growing up in our culture today–and the impact that parents, especially fathers, have on the experience–can afford to miss reading this book.”
–Armand M. Nicholi, Jr., M.D., professor of psychiatry, Harvard Medical School

  • Sales Rank: #1599 in Books
  • Brand: Unknown
  • Published on: 2007-08-28
  • Released on: 2007-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.20" l, .75 pounds
  • Binding: Paperback
  • 288 pages

From the Inside Flap

The most important person in a young girl’s life? Her father.

Teen health expert Dr. Meg Meeker has the data and clinical experience to prove it. After more than twenty years of counseling girls, she knows that fathers, more than anyone else, set the course for their daughters’ lives.

Now Dr. Meeker, author of the critically acclaimed Epidemic: How Teen Sex Is Killing Our Kids, shows you how to strengthen--or rebuild--your bond with your daughter, and how to use it to shape her life, and yours, for the better.

Directly challenging the feminist attack on traditional masculinity, Dr. Meeker demonstrates that the most important factor for girls growing up into confident, well-adjusted women is a strong father with conservative values. To have one, she shows, is the best protection against eating disorders, failure in school, STDs, unwed pregnancy, and drug or alcohol abuse—and the best predictor of academic achievement, successful marriage, and a satisfying emotional life.

Strong Fathers, Strong Daughters reveals:

  • The essential characteristics and virtues of strong fathers—and how to develop them

  • How daughters take cues from their fathers on everything from drug use, drinking, smoking, and having sex, to self-esteem, moodiness, and seeking attention from boys

  • Why girls want you to place restrictions on them (even though they’ll complain when you do)

  • How to become a hero to your daughter—and why she needs that more than anything

  • The one mistake fathers make that is the primary cause of girls "hooking up"

  • Why girls depend on the guidance of fathers through, and even beyond, their college years

  • Recipe for disaster: the notion that girls "need to make their own decisions and mistakes"

  • Why girls need God—and how your faith, or lack thereof, will influence her

  • How to communicate with your daughter—and how not to

  • True stories of "prodigal daughters"—and how their fathers helped bring them back

Dads, you are far more powerful than you think you are. Your daughters need the support that only fathers can provide—and if you are willing to follow Dr. Meeker’s advice on how to guide your daughter, to stand between her and a toxic culture, your rewards will be unmatched.

About the Author
Meg Meeker, M.D., is the bestselling author of The 10 Habits of Happy Mothers; Strong Fathers, Strong Daughters; and Boys Should Be Boys. She has been a physician practicing pediatric and adolescent medicine, working with children and their parents, for more than thirty years. Dr. Meeker is the mother of four children and lives with her husband in northern Michigan.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter One

You Are the Most Important Man in Her Life

Men, good men: We need you. We—mothers, daughters, and sisters—need your help to raise healthy young women. We need every ounce of masculine courage and wit you own, because fathers, more than anyone else, set the course for a daughter’s life. Your daughter needs the best of who you are: your strength, your courage, your intelligence, and your fearlessness. She needs your empathy, assertiveness, and self-confidence. She needs you.

Our daughters need the support that only fathers can provide—and if you are willing to guide your daughter, to stand between her and a toxic culture, to take her to a healthier place, your rewards will be unmatched. You will experience the love and adoration that can come only from a daughter. You will feel a pride, satisfaction, and joy that you can know nowhere else.

After more than twenty years of listening to daughters—and doling out antibiotics, antidepressants, and stimulants to girls who have gone without a father’s love—I know just how important fathers are. I have listened hour after hour to young girls describe how they vomit in junior high bathrooms to keep their weight down. I have listened to fourteen-year-old girls tell me they have to provide fellatio—which disgusts them—in order to keep their boyfriends. I’ve watched girls drop off varsity tennis teams, flunk out of school, and carve initials or tattoo cult figures onto their bodies—all to see if their dads will notice.

And I have watched daughters talk to fathers. When you come in the room, they change. Everything about them changes: their eyes, their mouths, their gestures, their body language. Daughters are never lukewarm in the presence of their fathers. They might take their mothers for granted, but not you. They light up—or they cry. They watch you intensely. They hang on your words. They hope for your attention, and they wait for it in frustration—or in despair. They need a gesture of approval, a nod of encouragement, or even simple eye contact to let them know you care and are willing to help.

When she’s in your company, your daughter tries harder to excel. When you teach her, she learns more rapidly. When you guide her, she gains confidence. If you fully understood just how profoundly you can influence your daughter’s life, you would be terrified, overwhelmed, or both. Boyfriends, brothers, even husbands can’t shape her character the way you do. You will influence her entire life because she gives you an authority she gives no other man.

Many fathers (particularly of teen girls) assume they have little influence over their daughters—certainly less influence than their daughters’ peers or pop culture—and think their daughters need to figure out life on their own. But your daughter faces a world markedly different from the one you did growing up: it’s less friendly, morally unmoored, and even outright dangerous. After age six, “little girl” clothes are hard to find. Many outfits are cut to make her look like a seductive thirteen- or fourteen-year-old girl trying to attract older boys. She will enter puberty earlier than girls did a generation or two ago (and boys will be watching as she grows breasts even as young as age nine). She will see sexual innuendo or scenes of overt sexual behavior in magazines or on television before she is ten years old, whether you approve or not. She will learn about HIV and AIDS in elementary school and will also probably learn why and how it is transmitted.

When my son was in the fourth grade at a small parochial school, the teacher gave his class a science assignment. Each student was to write a report on any one of the infectious diseases from a list she gave them. My son chose to write about HIV and AIDS. (This was a popular choice because it is so widely talked about.) He learned about the virus and about drug injections and medications used to battle it. After I picked him up at school, we stopped by the grocery store. As I pulled into the parking lot, he was telling me about his findings. Then he said, “Mom, I just don’t get it. I know HIV is really dangerous and that people who get AIDS die. And I get, you know, how men and women give it to each other, but what’s this stuff about men giving it to other men? I just don’t see how that can happen.”

I took a deep breath. Now, I am not a squeamish person. I am a doctor. I’m used to talking to patients about sex-related health risks. And I believe strongly in treating all patients the same, whether they are heterosexual or homosexual. But here’s what grieved me: I know from child psychology that it was too soon to detail specific sexual acts (beyond simple intercourse) to my son. It was one thing to teach him how children are conceived. It was quite another to talk about sexual acts that he cannot understand and should not be confronted with at his age. I felt as though his right to innocence had been invaded. I never withhold information, because knowledge is important, but timing is crucial. Shocking young children breaks their healthy sense of modesty. That modesty serves a protective function. There, in the grocery store parking lot, I spoke as gently as I could, but my son was rightly upset. This knowledge and the mental pictures it drew for him taught him something he didn’t want to know, and was not and could not be prepared to know at his age. In today’s world, we adults do a terrible job of letting kids be kids. Our children are forced prematurely into an adult world that even our own parents or grandparents might have considered pornographic.

When your daughter hits fifth or sixth grade, she will learn what oral sex is. Before too long, she will have a pretty decent chance of seeing someone engaged in it, as the new trend in sexual behavior among adolescents is public display. She will feel comfortable saying the word condom and will know what they look like because she has either seen them on television or at school. Many well-meaning teachers will pride themselves on speaking openly and honestly to her about sex, determined to break the taboo about adults talking to kids about sexual activity. The problem is, many health (sex) educators are woefully behind in the information they use—and this isn’t their fault. Their materials are often outdated. And many celebrities don’t help. Sharon Stone, for instance, recently remarked to the teens of our nation that they should participate in oral sex rather than intercourse because, I guess, she believes it to be safer. Does she understand that any sexually transmitted disease (STD) a kid can get from intercourse, she/he can get from oral sex? I doubt it. Sure, she probably felt that she was on the cutting edge of the new era of sex education, but the problem is, her assumptions are outdated and she hasn’t taken the time to learn the scientific facts. She doesn’t see what we doctors see. Yet she and celebrities like her reach millions of teens with their various messages of “safe sex,” which unfortunately aren’t safe.

Teachers in most schools are no better informed. They know that a high proportion of kids are sexually active, and that many parents don’t know what their kids are up to. But the teachers rely on government-mandated curricula, and government bureaucracies move slower than our knowledge about medicine. Moreover, the government’s standards are not based entirely on science but on principles that many parents might not share.

Sex education curricula generally follow the guidelines of the Sexuality Information and Education Council of the United States. SIECUS is a nonprofit advocacy group that proposes to “assist children in understanding a positive view of sexuality, provide them with information and skills about taking care of their sexual health, and help them acquire skills to make decisions now and in the future.” Let’s review just a few of the guidelines written in the manual so that you can make your own decision about what your daughter is learning at school.

For children ages five to eight (kindergarten through second grade):

8Touching and rubbing one’s own genitals to feel good is called masturbation.

8Some men and women are homosexual, which means that they will be attracted to and fall in love with someone of the same sex. (This is in the manual for the older children.)

For children ages nine to twelve (third through sixth grade):

8Masturbation is often the first way a person experiences sexual pleasure.

8Being sexual with another person usually involves more than sexual intercourse.

8Abortion is legal in the United States up to a certain point in pregnancy.

8Homosexual love relationships can be as fulfilling as heterosexual relationships. (This is in the manual for the older children.)

For children ages twelve to fifteen (seventh through tenth grade):

8Masturbation, either alone or with a partner, is one way people can enjoy and express their sexuality without risking pregnancy or STDs/HIV.

8Being sexual with another person usually involves different sexual behaviors.

8Having a legal abortion rarely interferes with a woman’s ability to become pregnant or give birth in the future.

8People of all genders and sexual orientation can experience sexual dysfunction.

8Some sexual behaviors shared by partners include kissing, touching, caressing, massaging, and oral, vaginal, or anal intercourse.

8Nonprescription methods of contraception include male and female condoms, foam, gels, and suppositories.

8Young people can buy nonprescription contraceptives in a pharmacy, grocery store, market, or convenience store.

8In most states, young people can get prescriptions for contraception without their parents’ permission.

8Both men and women can give and receive sexual pleasure.

For children ages fifteen to eighteen (tenth through twelfth grade):

8Some sexual behaviors shared by partners include kissing, touching, talking, caressing, massaging, sharing erotic literature or art, bathing or showering together, and oral, vaginal, or anal intercourse.

8Some people use erotic photographs, movies, or literature to enhance sexual fantasies when alone or with a partner.

8Some sexual fantasies involve mysterious or forbidden things.

8People can find creative and sensual ways to integrate contraception into their sexual relationship.1

Now let me be very clear here. I don’t care what adults do regarding their sexual behaviors. But I’m a kid advocate and these guidelines bother me, as I hope they do you. First, they are scientifically illiterate. Kids can and do get STDs through mutual masturbation and oral sex. Herpes and human papillomavirus (HPV), for example, are transmitted through touch. Second, these guidelines normalize the bizarre. Sexual fantasies with mysterious things? Are we talking porn-shop stuff here? Third, they lead kids. Note the position of the later statements, which imply that if you want to enjoy pleasure, here’s how to have it. Fourth, they encourage behavior (such as anal sex) that is inherently dangerous. Fifth, whatever one thinks about controversial issues like abortion, it is misleading, to say the least, to downplay the seriousness of the procedure on not only a girl’s body but also on her mind and emotions.

In elementary school your daughter will learn about drugs, the dangers of sniffing glue, why she shouldn’t smoke marijuana, and how bad cigarettes are for her. She will meet her friends’ mothers’ boyfriends. Some will be nice and some won’t be. She will be taught to let someone know—a teacher, a parent, a police officer—if an adult man touches her pubic area or breasts (even if they haven’t developed yet). She will be taught why her friend Sarah has two moms, or two dads, or two moms and one dad, or no mom or dad and only grandparents or foster parents. Most of this she will learn before sixth grade, while you’re at work trying to get through the day and fighting your own battles.

You drive home at the end of the day, walk into your house, and there she is. Twelve years old, chasing her nine-year-old brother, screaming because he took her iPod. Then she sees you and either stops screaming or runs away, because she doesn’t want you to see her ugly behavior.

Or you come home and see her watching television. Chances are, the minute you walk into the room she will grab the channel changer and flip through numerous stations. Why? Because she doesn’t want you to see what she is watching—she’s afraid you will be either angry or disappointed in her. Why? Because the shows aren’t Bewitched or The Cosby Show. They aren’t like the shows you watched growing up. The programs on television have changed right under your nose. Studies show that the amount of sexual content increased from 67 percent in 1998 to 77 percent in 2005.2 If you grew up in the 1960s or 1970s, the amount of sexual content was, comparatively, virtually nonexistent. We’ll look at this in greater detail later, but imagine: three-fourths of the shows your little girl sees have sexual content (unless she still watches Dora the Explorer at age twelve, which I doubt). In addition to this, the intensity of the sexual content has gotten worse.3 In the 1960s, sexual content was Barbara Eden showing her navel on I Dream of Jeannie. By the 1980s, prime-time television was up to heavy kissing or allusions to petting. But that’s become boring. Now, prime time offers numerous allusions to intercourse and oral sex.

For young kids—particularly early preadolescents—such sexualized images and talk can be nothing short of traumatizing. Remember, your daughter will most likely begin puberty before her male friends. This means that from about the third grade on, you need to be very careful about what she’s exposed to. While you and I might not even notice a scene of two people heading beneath the sheets, you can be sure that it raises all sorts of questions in her mind. She is forming her impressions about sex and about how teens and adults behave. If she is forced to form these impressions too young, more often than not, they will be overwhelmingly negative.

888

When Anna was ten and halfway through her fourth-grade year, her mother brought her in for her annual physical. She was an excellent student, played soccer, and was very well adjusted. Her mother said, however, that she had recently been acting very antagonistic toward her dad. Her mother had no clue why. Anna’s father had had long talks with her and went out of his way to be kind and attentive. This didn’t help. Neither her mother nor I could figure out what was going on. Anna just shrugged her shoulders when I asked why she was so angry with her dad. Perhaps she was just having early pubertal “rebellion,” her mother and I concluded. (Be careful when you hear this term, because nine out of ten times, this isn’t normal. More is brewing beneath the surface of her behavior.)

Two more months went by, and Anna and her mother reappeared in my office. Things had gotten worse at home. Anna didn’t want anything to do with her father, and her mother felt crazy. Was she missing something? Was he abusing her? The very thought made her feel guilty and nauseated. But she was so worried about Anna’s behavior that even such terrible possibilities had passed through her mind. After the three of us chatted, I spoke with Anna alone. We retraced recent events in her life to try to pinpoint when the anger had started. School was okay. She had gotten along fine with her dad and brother. She hadn’t gotten into a tangle with anyone at school. I gently probed for evidence of physical or sexual abuse from anyone. Nope, she said. I believed her. Finally she fell forward and her head dropped level with her shoulders. “I saw this show,” she started. My ears perked up. “Well, I didn’t want my parents to know because they would’ve been really mad at me.”

“Anna, what kind of show was it?” I asked.

“I don’t know the name of it or anything. I was just waiting for dinner. I had finished my homework and Mom said that I could watch TV, so I did. While I was flipping through the channels, I just saw this stuff happening. I knew I shouldn’t watch, but I just kind of couldn’t help it.” She stopped, hoping that I would allow her to stop there. Clearly she was upset. She felt guilty, angry, and sick. I waited. She wasn’t going to talk, so I did. “Anna, who were the people in the show?”

“I don’t know, just this guy and this lady. Yuck. She was kinda, you know, like, naked.”

“I see. What were they doing?”

“Uh. Um. I’m not really sure, but I didn’t like it at all. She had really big boobs showing and this guy was on top of her. But, see, I know all about that stuff ’cause my mom’s told me. But, it was just so weird. I mean, this guy ripped her shirt and he had her pinned down. She wanted to get up and he wouldn’t let her. He was really strong-looking and he was holding her hands down really tight.”

“Anna, I’m so sorry you saw that. That must have made you really upset.”

“I dunno. I guess so. I mean, it’s just a show and all. You’re not gonna tell my mom and dad, are you? They wouldn’t let me watch TV for a long time.”

I changed the subject, knowing that her parents had to know if they were going to help her. “Anna, why did you get so mad at your dad? Does this have anything to do with the show?” I knew, but I wanted her to see the connection.

“Well. I guess I never really thought of it that way. I mean, I know my mom and dad had to have sex once—you know, to have me. Do you think that my dad was like that to my mom? I was just thinking that she had to put up with him being mean and stuff and if she did, it would be my fault. Because if they didn’t have me, then my dad wouldn’t have been mean to my mom. Do you think he hurts her like that?” She looked terribly worried.

“No, absolutely not. Your dad would never do anything like that to your mom. Honey, that’s not normal. That’s television. Sex is really wonderful and is nothing like that at all. I’m sure that your dad would never in a million years hurt anyone that way.” I had to repeat myself to help her believe me.

Anna was having a tough time, but think about her poor dad. For the last two months, in her mind, he had been a sex-crazed, woman-abusing rapist. And he didn’t have a clue what was going on. Does television have an effect on your little girl? You bet it does. But you hold all the power.

Most helpful customer reviews

371 of 396 people found the following review helpful.
A wonderful guide to active fatherhood and your much need participation in your daughter's life
By Craig Matteson
As the father of three daughters (and three sons), I had a strong reaction to this book. It is terrific in the way it guides and urges fathers to be active and involved in the lives of their daughters. It doesn't provide a list of detailed actions you must take to have a successful relationship or a healthy child. Instead, it provides ten needs that can best be met by you as her father as she grows into a wonderful woman and makes her own way in the world.

When a father realizes the way her relationship with him and his with her defines so much of how she will define the male-female world in her life, it gives one pause. Daughters need heroes; she learns a lot about love from her father, she can learn important qualities such as humility, faith in God, and standing up for herself. How a father protects and defends her has a big impact on her self-image. The way a father demonstrates practicality and tenacity can provide a great example when hard times inevitably come. And he should be the kind of man he would like his daughter to marry.

Above all, he needs to help her get connected and stay connected with life. Never let her drift into a shell and withdraw from the world. This can't be done by command. It is a participatory experience that requires the father as much as the mother.

This is a fine book with lots of good anecdotes and examples. A great read for anyone still raising daughters and a terrific gift (if given the right way) to a new father of a little girl.

Recommended!

270 of 300 people found the following review helpful.
Good book to add to your arsenal - some facts, some opinions.
By C. zeh
I have a three-year-old daughter and thought this would be a good Doctor's guide about raising a daughter. I found it to be interesting and Dr. Meeker makes some geniune points about the psychological make-up of young women and girls (although she is Family M.D. and not a Psychiatrist or Psychologist).

Some of the end tends to get a little preachy about God and the like, which you see coming over the horizon about midway through the book. Nevertheless, if there's one thing we know about people who are religious and those who are not, it's unlikely that a child-rearing book is going to convert you one way or the other; so, if you don't agree, that section won't kill you. I'm living proof.

In my opinion, this is an enjoyable book with some very relatable anecdotes and a lot of food for thought about the oversexualized nature of pop culture and the dangers facing our daughters every day.

As a father who tends to see things left of center in most cases, when it comes to youth (especially our daughters), I couldn't agree more.

2 of 2 people found the following review helpful.
Great information, hard to read
By Parker Waldrop
The premise of this book is outstanding, and the information the author has provided is spot on. My only complaint about this book is it was incredibly boring. The author is a brilliant psychiatrist who really knows her information and is also a great speaker, but her writing is very technical and hard to keep up with when the technical jargon starts being used. I highly recommend the book for the information reason alone, but I cannot tell you it's an easy read.

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Minggu, 01 Juni 2014

[J138.Ebook] Download Ebook On Human Flourishing: A Poetry Anthology, by D. J. Moores

Download Ebook On Human Flourishing: A Poetry Anthology, by D. J. Moores

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On Human Flourishing: A Poetry Anthology, by D. J. Moores

On Human Flourishing: A Poetry Anthology, by D. J. Moores



On Human Flourishing: A Poetry Anthology, by D. J. Moores

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On Human Flourishing: A Poetry Anthology, by D. J. Moores

Great literature is more often praised for compelling depictions of conflict and tragedy than for moving portrayals of happiness and well-being. This collection of verse brings together poems of felicity, capturing what it means to be well in the fullest sense. Presented in 14 thematic sections, these works offer inspiring readings on wisdom, self-love, ecstasy, growth, righteousness, love and lust, inspiration, oneness with nature, hope, irreverence, awe, the delights of the senses, gratitude and compassion, relation to the sacred, justice, and unity. At times elegant, at others blunt, these poems reflect on what it means to live a rich, fulfilling life.

  • Sales Rank: #1405362 in Books
  • Published on: 2015-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.07" h x .69" w x 5.98" l, .95 pounds
  • Binding: Paperback
  • 308 pages

About the Author
D.J. Moores is an associate professor of literature at National University in San Diego, California.

James O. Pawelski, a University of Pennsylvania senior scholar, is the founder of its Master of Applied Positive Psychology program.

Adam Potkay is the William R. Kenan Professor of Humanities at the College of William & Mary in Williamsburg, Virginia.

Emma Mason is a professor of English and comparative literary studies at the University of Warwick in Coventry, England.

Susan J. Wolfson is a professor of English at Princeton and former president of the Association of Literary Scholars and Critics.

James Engell is the Gurney Professor of English and a professor of comparative literature at Harvard and former president of the Association of Literary Scholars and Critics.

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0 of 0 people found the following review helpful.
More literary than devotional
By James Christopher
This is not a "religious" book, in the conventional sense. The poetry is mystical in nature, but appears to be chosen for its literary merit more so than its spiritual or inspirational value. That said, for the literary-minded, this could also function as a sort of prayer book.

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