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The Luminaries (Man Booker Prize), by Eleanor Catton
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The bestselling, Man Booker Prize-winning novel hailed as "a true achievement. Catton has built a lively parody of a 19th-century novel, and in so doing created a novel for the 21st, something utterly new. The pages fly."--New York Times Book Review
It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky.
Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, THE LUMINARIES is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
- Sales Rank: #21704 in eBooks
- Published on: 2013-10-15
- Released on: 2013-10-15
- Format: Kindle eBook
Review
“The Luminaries by Eleanor Catton is an entire narrative universe with its own mysterious cosmology. This exhilarating feat of literary design dazzles with masterful storytelling. Each character is a planet – complex and brilliantly revealed. Precise sensual prose illuminates greed, fear, jealousy, longing – all that it means to be human.”
—Jury citation,� Governor General’s Literary Award for Fiction
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“A magnificent novel: awesome in its structural complexity; addictive in its story-telling; and magical in its conjuring of a world of greed and gold.”
—Robert Macfarlane, the Man Booker Prize Chair of Judges
“The type of novel that you will devour only to discover that you can't find anything of equal scope and excitement to read once you have finished. . . . Do yourself a favour and read The Luminaries. . . .”
—The Independent
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“Irresistible, masterful, compelling. . . . The Luminaires has a gripping plot that is cleverly unravelled to its satisfying conclusion, a narrative that from the first page asserts that it is firmly in control of where it is taking us. . . . [Catton is] a mistress of plot and pacing. . . .”
—The Telegraph (5-star review)
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�“Every sentence of this intriguing tale set on the wild west coast of southern New Zealand during the time of its goldrush is expertly written, every cliffhanger chapter-ending making us beg for the next to begin. . . . The consummate literary page-turner. . . .”
—The Guardian
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“Note-perfect. . . . [Catton’s] authority and verve are so impressive that she can seemingly take us anywhere; each time, we trust her to lead us back. . . . A remarkable accomplishment.”
—Globe and Mail
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�“The Luminaries is an impressive novel, captivating, intense and full of surprises.”
—Times Literary Supplement
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“Beautifully rendered. . . . Momentous. An exquisite world unto itself.”
—Maclean’s
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“A finely wrought fun house of a novel. Enjoy the ride.”
—Chris Bohjalian, Washington Post
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“A remarkable achievement. . . . Intricate, painstakingly detailed and deliciously readable. . . . A novel that can be enjoyed for its engrossing entirety, as well as for the literary gems bestowed on virtually every page.”
—Quill & Quire (starred review) �
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“A dazzling knot of interwoven lives. . . . Heart-pounding . . . .”
—Publishers Weekly (starred review)
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“As beautiful as it is triumphant.”
—Daily Mail
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“A tour de force of narrative control. . . . Catton does an incredible job of bringing to life the time and place and the utter ruthlessness that greed engenders in human beings. . . .”
—Vancouver Sun
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“Falling in love with a fictional person is one of the greatest pleasures in life, Canadian-born writer Eleanor Catton believes. By the time readers have finished The Luminaries, they will have been enchanted by many of her characters, as they slowly reveal themselves through the novel’s intriguing web of interactions and relationships.”
—Toronto Star �
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“Hugely addictive.”
—Mark Haddon, author of The Curious Incident of the Dog in the Night-Time
About the Author
Eleanor Catton’s debut, The Rehearsal ― which Kate Atkinson called “compulsively good...it continually calls into question the relationship between so-called reality and fiction, and the very nature of truth itself” ― won the 2009 Betty Trask Award, was short-listed for the Guardian First Book Award and the Dylan Thomas Prize, and was long-listed for the Orange Prize. She holds an MFA from the Iowa Writers’ Workshop and an MA in fiction writing from the International Institute of Modern Letters. She lives in Auckland, New Zealand.
Most helpful customer reviews
1831 of 1933 people found the following review helpful.
A Commitment - Not For Everyone
By Mary Lins
Gushing reviews are easy to write, (so are pans), but what to say when you know that a book is well written, innovatively and creatively structured, and is destined to be loved by many, but it just didn't appeal to you? "The Luminaries" by Eleanor Catton, is such a book. Short-listed for the Booker Prize, this novel, that weighs in at over 800 pages, takes a bit of a commitment to get into and, once invested, it must "grab" you to continue. I got half-way through and then had to have a "talk with myself" about continuing. It just isn't my kind of novel and continuing was going to take too much of my precious reading time. Yet, I was far enough in to see that its innovative style of folding back in on itself will appeal to many readers. It's like a complicated pastry; the plot is kneaded and folded to produce the confection intended. This is not a novel for readers who like their plots to be linear.
Catton's writing style is beautifully lush and vividly descriptive. Her descriptions of the myriad characters are wonderfully rendered both in the descriptions of their physical selves and of their inner selves. Catton also creates a unique and interesting setting of a New Zealand gold mining town in the mid-nineteenth century.
I'm posting this candidly honest review to help other readers ascertain if they are the type of reader who will enjoy this unique novel, or not.
493 of 528 people found the following review helpful.
A brilliant historical novel that could win this year's Booker Prize
By Darryl R. Morris
This astonishing historical novel opens in Hokitika, New Zealand in 1866, a gold mining town along the West Coast of the South Island. Founded two years previously, Hokitika is in the midst of a population boom, as prospectors, hoteliers and other businessmen have flocked there after news of its vast riches and promise of easy wealth has reached people living within and outside of New Zealand. One of those men is Walter Moody, a young Englishman who is trained in law but seeks gold to provide him with material comfort and the start of a new life. He arrives in town after a harrowing and emotionally distressing voyage at sea, and after he checks in at a local hotel he proceeds to its smoking room, where he hopes to unwind with a pipe and a stiff drink. Upon his arrival he notices that 12 men are already there, who appear to be from different backgrounds but also seem to have gathered in secret for a particular reason. The atmosphere in the room is tense and troubled upon his entry, but in his agitated state Moody doesn't sense that he has disturbed them. He is approached by one of the men, while the others appear to direct their attention toward their conversation, and after slowly gaining their confidence the men begin to share their intertwined stories with Moody, and the reason for their confidential meeting.
The story is centered around several mysterious and apparently interconnected occurrences that took place two weeks previously on a single night, including the death of a hermit in a shack overlooking town, the disappearance of a young man who has struck it rich in a gold mine, and the apparent near suicide of the town's most alluring prostitute. Every man in the room claims to be innocent of any direct involvement, yet they all appear to share some responsibility in the events that led up to these crimes, and each one fears that he may be accused and held accountable.
The reader learns more about these 12 men, Moody, and several other key players, as the story takes on a more defined shape. However, just as it seems to become more clear new twists arise and relationships emerge between previously unconnected characters, which made the tale more compelling and delightfully puzzling. I exclaimed out loud numerous times at various points ("Wait, what?" "Whoa!", etc.), and except for one relatively dead spot near the novel's midway point I was captivated from the first page to the last.
No review could adequately convey the intricacy and complexity of this novel, along with its numerous subplots and themes, and Catton's ability to maintain its momentum through 832 pages was akin to a performer riding a fast moving rollercoaster while juggling various objects of different sizes for hours on end. My biggest critique is its ending, which felt rushed and overly tidy, and despite its length I would have preferred for it to have been extended by another 50-100 pages.
"The Luminaries" is a masterful literary symphony, and a work of historical fiction that compares favorably with similarly superb novels such as The Children's Book, The Stranger's Child and The Glass Room. There are few books of this size that I would love to start reading again immediately after finishing it, but this is one of them, and young Ms Catton is to commended for a brilliant novel that should be a strong contender for this year's Booker Prize.
190 of 207 people found the following review helpful.
As if written by a Victorian David Mitchell - Catton strikes gold of her own
By Ripple
Eleanor Catton's "The Luminaries" is set in the New Zealand gold rush of the late 1860s. It's a story about greed, power, gold, dreams, opium, secrets, betrayal and identity, but most of all, it's a celebration of the art of story telling, both in terms of Catton's book and the stories her characters have to tell. It's the kind of book that is perfect escapism and which wraps you up in its world. If you like big, chunky books that you can get lost in for hours, then this is one for you.
Second novels are notoriously tricky, especially when they follow one that has received the critical acclaim that Catton had for her debut, "The Rehearsal". Fortunately, no one seems to have told Catton this and "The Luminaries" is a very different style of book but one that is an even more remarkable and memorable achievement. Also notable is Catton's writing style. This was the standout feature of her debut novel and this is equally stylish but in a very different way. There are hints and nods to some great writers both period and more modern throughout, notably a touch of Charles Dickens, a splash of Wilkie Collins, a smidgeon of Robert Louis Stevenson, a dash of Salman Rushdie and a hint of David Mitchell, yet all combined in a freshness that is uniquely Catton's. It's more homage than a plagiarism of style. The one element that is common to both this and "The Rehearsal" is what comes over as the author's sheer love of story telling - there's a constant sense of fun in her descriptions and she writes as if she has a smile on her face and is as entranced by the story that is being set down as her readers are.
The opening scene accounts for the first 300 pages as the story is introduced from different perspectives, but essentially Walter Moody arrives in the small gold rush town of Hokitika and settles into one of the more basic hotels only to find that he has interrupted a clandestine meeting of twelve very different people who are all in some way linked to the death of a local hermit, the apparent suicide attempt by the local "lady of the old profession" as the judge will later term her and the disappearance of a young, successful and very rich prospector on one eventful night.
The webs of relationships between these twelve men and the victims are complex and at first take a bit of concentration but Catton is alert to this and offers frequent summaries and in particular a rather fuller pr�cis towards the end of this first part to make sure that the reader has picked up on all the salient relationships. The web of intrigue is part of the joy of the book and some you won't fully discover until much later on.
The book then jumps forward a month for a couple of parts before moving back to the past. The past chapters are much, much briefer and this change of style is one that you will either love or hate I suspect. It's one of the more modern touches to what otherwise feels like a very traditional narrative voice.
Although I absolutely loved the book, this was despite two aspects that might prove more of an obstacle for other readers. Firstly, while Catton's descriptions of people's characters are an absolute joy, she is guilty of telling the reader rather than showing. In many ways this is unavoidable with the size of her cast and this is very much an ensemble piece so to show each character trait would be challenging and slow the plot down.
The other aspect that failed to really gel with me is the astrological framework of the book which frames each part. Catton explains that she is more interested in this as a device for exploring character traits rather than any form of belief in determinism, but the device is so subtle that the reader is largely unaware of the relevance. I can see the use of the framework to the writer but I'm less convinced about the need to make this element so explicit, but that's down to my own personal taste.
The quality of the Booker long list seems to have become more erratic in recent years, but "The Luminaries" would not look out of place on the short list of even the vintage years. Definitely recommended. (I still think Harvest will win though).
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